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Author Topic:   Review - The Invisibles: Bloody Hell in America
Dave Thomer
Guardian of Peace and Justice in the Galaxy
posted 02-25-2002 03:12 AM     Click Here to See the Profile for Dave Thomer   Click Here to Email Dave Thomer     Edit/Delete Message   Reply w/Quote
The Invisibles: Bloody Hell in America
Written by Grant Morrison
Pencils by Phil Jiminez
Inks by John Stokes
Colors by Daniel Vozzo
DC Comics/Vertigo, 104 Pages, Full Color
(Buy it from Amazon - $12.95)

Volume Two of The Invisibles kicks off with Bloody Hell in America, a four part action story that features King Mob, Jack Frost and his fellow cell members regrouping after events in Volume One. They wind up in America, at a mansion that doubles as an Invisibles safe house thanks to the support of its owner. As the group prepares to return to action, the remnants of another cell arrive at the safe house – a recent attack on a hidden New Mexico military installation has gone horribly wrong, and several members are dead or captured. Worse, says cell leader Jolly Roger, the enemy is hiding a cure for HIV at the installation, so there’s far more at stake than revenge for the deaths of a few Invisibles -–although Roger's determined to get that, too.

There are those who criticize Bloody Hell in America’s emphasis on action at the expense of that mad Morrison ideology, but I think they’re off base. Certainly the climactic confrontations get into the kind of mind games and intellectual warfare that mark The Invisibles. The dialogue, humor, joyous energy and characterization that typify the series are here in abundance. More importantly, many of the stories that will unfold over the course of the next two books are clearly set up here, including the relationship between King Mob and Ragged Robin, the influence of the uber-creepy Mister Quimper, and billionaire Mason’s pursuit of a higher understanding. This story is a prologue, and a highly effective one.

It doesn’t hurt that Phil Jiminez returns to do the pencil art for this book – I’ve raved about his work before, and it’s just as detailed and imaginative as ever here. He brings the action and the incredible visuals to life in a way that few, if any, of the other artists involved with this series can. (I particularly like the layout work on page 84.) John Stokes’ inks, Daniel Vozzo’s colors and Brian Bolland’s chapter covers round out the package. At $12.95 for the equivalent of four comics, this book may be a tad overpriced – but a series this good is worth it.

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