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Author Topic:   Review - Ultimate Spider-Man: Learning Curve
Dave Thomer
Guardian of Peace and Justice in the Galaxy
posted 01-31-2002 12:42 AM     Click Here to See the Profile for Dave Thomer   Click Here to Email Dave Thomer     Edit/Delete Message   Reply w/Quote
Ultimate Spider-Man: Learning Curve
Written by Brian Michael Bendis
Pencils by Mark Bagley
Inks by Art Thibert
Colors by JC
Marvel, 192 Pages, Full Color
(Buy it from Amazon - $14.95)

Learning Curve is the first wholly original Ultimate Spider-Man story, following up Power and Responsibility's retelling/reworking of Spider-Man's beginnings. With the groundwork laid, Bendis can let loose and start exploring the new world he's helped create, and he does so with gusto here. Peter Parker gets a job working on the Daily Bugle's web site, and uses the newspaper's resources to investigate the crook who killed his Uncle Ben. When he discovers that the crook is connected to crime boss Wilson Fisk, aka the Kingpin, and that no one in a position of official authority can make anything stick against Fisk, he decides it's time for Spider-Man to swing into action.

The only problem, as Bendis frequently gives Peter cause to remember, is that he's still new at this superhero game. With little experience and no reputation to speak of, Peter stumbles from one confrontation to the next, often at the receiving end of a pummeling. His adjustment issues at school haven't gone away, either, and his Aunt May is having trouble getting used to life as a single parent. Bendis handles the blend of character-based drama and superheroic action-adventure very well, as he usually does, with sharp dialogue and nice pacing. (Spidey's final confrontation with the Kingpin is particularly well done, displaying Fisk's arrogance and fury along with Peter's humor, moral outrage, and newfound street smarts.) He also gives the book a sense of progress and movement by letting Peter learn from his experiences and get better at what he does, and demonstrates that he is willing to shake up the status quo in the book's final chapter - a chapter-length conversation between Peter and Mary Jane that Bendis discussed at length in his interview here on the site.

Bagley and Thibert's art has its strengths and weaknesses. Some of the faces, for example, are very severe, both because of the general shapes and the way inked lines are used to convey wrinkles or other facial curves. There's something a little unnatural about it, which might work under normal circumstances but which tends to distract from the realism that Bendis' story aims for. Relatively minor issues of anatomy aside, though, there are nice visuals here and some good design work on the major characters. (Longtime Spider-villain Electro gets a thorough reworking here, and looks much less outrageous and far more deadly as a result.) The art gets the story across, and with a story this good, that's what you want to see.

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